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Showing posts with label IFC. Show all posts
Showing posts with label IFC. Show all posts

Monday, January 26, 2015

ICFIFC: Joker (2012)

Joker is an 2012 Hindi science fiction comedy film directed by Shirish Kunder, and also his second directorial venture after Jaan-E-Mann.  The film stars Akshay Kumar opposite Sonakshi Sinha in lead roles.  This was the second film in which Sinha paired opposite Kumar after Rowdy Rathore (2012).  The film released worldwide on 31 August 2012, and received mixed to negative response upon release.  Despite collecting mediocre box office collections, the film was panned by the audience and was declared a 'disaster' at the box office.


Joker (2012)

  • Genre: Comedy – Sci-Fi
  • Directed: Shirish Kunder
  • Produced:
    • Rana Rakesh Bali 
    • Dipti Jindal 
    • Farah Khan 
    • Akshay Kumar 
    • Shirish Kunder 
    • Yogesh Tevatia
  • Written: Shirish Kunder
  • Starring: Asrani, Avtar Gill, Gurpreet Guggi, Greg Heffernan, Vrajesh Hirjee, Javed Jaffrey, Darshan Jariwala, Mansi Jhingran, Bikramjeet Kanwarpal, Farah Khan, Akshay Kumar, Minissha Lamba, Sanjay Mishra, Suzanna Mukherjee, Alexx O'Nell, Pitobash
  • Music:
    • G.V. Prakash Kumar 
    • Shirish Kunder
  • Cinematography: Sudeep Chatterjee
  • Editing: Shirish Kunder
  • Studio:
    • Hari Om Entertainment Company 
    • Three's Company Production
  • Distributed: UTV Motion Pictures
  • Rated:
  • Release Date: 31 August 2012 (India)
  • Running Time: 103 minutes
  • Country: India
  • Language: Hindi

Shirish Kunder had the project in development for several years before finding financial backing and hit films, and had to negotiate for use of the specific title which Kunder stated is important to the script itself.  The film is being produced by Farah Khan, Shirish Kunder, and Akshay Kumar under the banner of Three's Company and Hari Om Entertainment.  The film was shot in 3D using 3D cameras, however in June 2012, it was announced that the film was no longer in 3D any more, since Ra.One and Don 2 have taken the goals, if Joker flopped it would be a loss on the whole crew, therefore the film will only be released in 2D format.  According to director, Shirish Kunder, "It is an underdog story about how individuals make it big in life and in the process, get help from aliens from a fictional planet".

Agastya is a scientist, working on the development of a communication system, to communicate with aliens.  But Agastya loses the faith of his seniors and is allotted with a deadline of one month to conclude his project with some substantial results.

In the mean time Agastya is informed by his girlfriend Diva about his father's illness.  On hearing this they both depart for his native village Paglapur, whose colorful inhabitants include a man who speaks in gibberish, another who thinks he is a lamp post and everyone else who think that the World War II is still going on.

Soon after reaching there, Agastya finds that he was called on a false pretext of illness by his father.

On getting apprised about truth, Agastya decides to move back to the US, but after hearing the plight of the inhabitants of Paglapur, due to the brushing aside of the village by the government because of its being absent from the demarcated map of India, he makes his mind to come out with some solution for the problem.

As the story proceeds, Agastya comes up with a quaint idea pertaining to the crop circle and arrival of aliens in his village, in order to fetch a recognition for his otherwise isolated village undergoing a plight of neglect ever since the independence.

With frames moving ahead, Agastya along with other villagers creates crop circle in Paglapur and spreads the rumor about the arrival of aliens in the village.  And from there, amid tremendous media hype, takes over some hilarious sequences knitted around UFO and fictitious man made aliens.

In the end, the whole joke about the fake aliens is found out and at the end of the movie real aliens come and give the village the gift of oil.

Joker received negative reviews from critics.  Based on 16 reviews, review aggregate site desimartini.com gave the film the verdict, "Apart from an interesting concept and a handful of funny moments, Joker is drag and doesn't work as a comedy or as a sci-fi caper.  Skip it!"  The site's average audience rating is 2/5.  Independent Bollywood gave 2.5 out of 5 stars and said "A Funny and weird entertainer with message".  Soumyadipta Banerjee of In.com gave 0.5 out of 5 stars and said "Not only that the aliens are weird, the whole movie seems be in some weird planet after a point of time".  Saibal Chatterjee of NDTV Movies.com gave the film 1 out of 5 stars and wrote, "Joker is a crude joke of a film that will leave you in tears unless you have a stomach strong enough to digest such unmitigated junk."  Noted film critic Taran Adarsh also gave it 1 out of 5 stars and labeled it as a complete "disaster" and a "joke of a film".

And the answer is…Yes, there are elaborate dance routines for no good reason!

 

Sources:

All Images Found Via Google Image Search

Monday, January 19, 2015

ICFIFC: The Touch of Satan (1971)

The Touch of Satan is a 1971 horror film.  It was directed by Don Henderson, and it starred Michael Berry and Emby Mellay in their debut roles.  The film was shot in 1970 in the Santa Ynez, California area and featured early work by movie makeup artist Joe Blasco.  The film was relatively obscure, playing only in drive-in theaters and dollar movie houses until a 1998 appearance on the series Mystery Science Theater 3000.


The Touch of Satan (1971)

  • A.K.A. Title: Night of The Demon
  • A.K.A. Title: The Touch of Melissa
  • Genre: Horror
  • Directed: Don Henderson
  • Produced: George E. Carey
  • Written: James E. McLarty
  • Starring: Michael Berry, Emby Mellay, Lee Amber, Yvonne Winslow, Jeanne Gerson, Robert Easton, Lew Horn, Sharon Crabtree, John J. Fox, Hal K. Dawson, Frank Jansen, Ellen Bailey
  • Music: Robert O. Ragland
  • Cinematography: Jordan Cronenweth
  • Editing: Dick Elliott
  • Studio: Stupendous Talking Pictures International
  • Distributed:
    • Futurama International  
    • Dundee Productions  
    • International Film Distributors  
    • Parker National Distributing  
    • Shout! Factory  
    • Cinefear  
    • King of Video
  • Rated:
  • Release Date: 23 August 1971 (USA)
  • Running Time: 90 minutes
  • Country: USA
  • Language: English

The Touch of Melissa?  Was someone working through a bad breakup and wanted the world to equate “The Horned One” with some poor girl who broke your heart?

The movie begins with the murder of a farmer by an elderly insane woman with terribly burned facial features.  After stabbing the farmer and accidentally setting his barn on fire, the woman stumbles home to her family.  The family, an older couple and a teenage woman, argue about the best way to handle the situation and make vague references that the elderly woman may have killed people in the past.

The scene then switches to the main character, a young man named Jodie who is on an open-ended car trip across America to find himself and discover whether or not he wishes to follow in his father's footsteps as a lawyer.  Jodie stops at a small pond to have lunch and meets Melissa, the teenage girl from the previous scene.  They banter briefly and she convinces him to come visit her family on their walnut farm, despite the intense distress this offer causes her parents.  The young couple grows increasingly close, despite the frightening presence of the elderly woman and various clues dropped along the way that Melissa is, in fact, a 127-year-old witch and the birth sister of the elderly insane woman.

When the old woman murders a deputy policeman in front of Jodie, Melissa confesses that she is a cursed witch and is possessed by Satan.  Jodie refuses to believe this, so Melissa reveals in a dream-sequence that her sister was burned as a witch by an angry mob of villagers in the 19th century.  Melissa was so distressed by the sight of her sister being burned at the stake that she offered her soul to Satan in order to gain the power to save her.  Satan agreed and allowed Melissa to save her sister.  Melissa was given eternal life and youth as a result of this bargain, but the gift was a curse as she watched her now-insane sister grow old and homicidal.  The old woman tries to kill Jodie, but Melissa uses her powers to stop her and her sister dies in a fire that she started.  Jodie eventually believes Melissa and has sex with her, effectively "freeing" her from Satan.  Unexpectedly, however, she instantly ages to her "actual" age and Jodie must sell his soul to Satan in order to restore Melissa's youth and save her life.  The movie ends with the realization that each are bound to Satan and that Melissa's attempt to save herself has only managed to draw Jodie into the evil contract as well.

The film was featured on a season nine episode of the movie-mocking show Mystery Science Theater 3000 where it was "riffed".  The episode makes frequent references to dialogue gaffes in the film, such as Jodie referring to the Strickland family farm as a "walnut ranch."

 

Sources:

All Images Found Via Google Image Search

Monday, January 12, 2015

ICFIFC: The Falls (1980)

Peter Greenaway, CBE (5 April 1942) is a British film director.  His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular.  Common traits in his film are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death.

In 1962, Greenaway began studies at Walthamstow College of Art, where a fellow student was musician Ian Dury (later cast in The Cook, the Thief, His Wife & Her Lover).  Greenaway trained as a muralist for three years; he made his first film, Death of Sentiment, a churchyard furniture essay filmed in four large London cemeteries.  In 1965, he joined the Central Office of Information (COI), working there fifteen years as a film editor and director.  In that time he created a filmography of experimental films, starting with Train (1966), footage of the last steam trains at Waterloo station, (situated behind the COI), edited to a musique concrète composition.  Tree (1966), is a homage to the embattled tree growing in concrete outside the Royal Festival Hall on the South Bank in London.  By the 1970s he was confident and ambitious and made Vertical Features Remake and A Walk Through H.  The former is an examination of various arithmetical editing structures, and the latter is a journey through the maps of a fictitious country.

In 1980, Greenaway delivered The Falls (his first feature-length film) – a mammoth, fantastical, absurdist encyclopedia of flight-associated material all relating to ninety-two victims of what is referred to as the Violent Unknown Event (VUE).


The Falls (1980)

  • Genre: Drama – Sci-Fi
  • Directed: Peter Greenaway
  • Produced: Peter Greenaway
  • Written: Peter Greenaway
  • Starring: Peter Westley, Aad Wirtz, Michael Murray, Lorna Poulter, Patricia Carr, Adam Leys, Mary Howard, Sheila Canfield, Evelyn Owen, Hilary Thompson, Carole Meyer, Monica Hyde, Colleen Thomas, Neil Hopkins, Dewi Thomas
  • Music: Michael Nyman
  • Cinematography:
    • Mike Coles 
    • John Rosenberg
  • Editing: Peter Greenaway
  • Studio: British Film Institute
  • Distributed: British Film Institute
  • Rated: Conflicting Data
  • Release Date:
    • 1980 (UK) 
    • 3 May 1983 (USA)
  • Running Time: 195 minutes
  • Country: United Kingdom
  • Language:
    • English 
    • Dutch 
    • French 
    • German

The Falls is a 1980 film directed by Peter Greenaway.  It was Greenaway's first feature-length film after many years making shorts.  It does not have a traditional dramatic narrative; it takes the form of a mock documentary in 92 short parts.

The world has been struck by a mysterious incident called the "Violent Unknown Event" or VUE, which has killed many people and left a great many survivors suffering from a common set of symptoms: mysterious ailments (some appearing to be mutations of evolving into a bird-like form), dreaming of water (categorized by form, such as Category 1, Flight, or Category 3, Waves) and becoming obsessed with birds and flight.  Many of the survivors have been gifted with new languages.  They have also stopped ageing, making them immortal (barring disease or injury).

A directory of these survivors has been compiled, and The Falls is presented as a film version of an excerpt from that directory, corresponding to the 92 entries for persons whose surnames begin with the letters FALL-.  Not all of the 92 entries correspond to a person – some correspond to deleted entries, cross references and other oddities of the administrative process that has produced the directory.  One biography concerns two people – the twin brothers Ipson and Pulat Fallari, who are played (in still photographs) by the Brothers Quay.

In addition to the common VUE symptoms mentioned above, a number of themes run through the film.  Among these are references to a number of bureaucratic organizations including the VUE Commission and the Bird Facilities Investments (a parody of the British Film Institute), the history of manned flight from Daedalus with the suggestion that birds may be responsible for the VUE (and that the film may thus be seen as a sequel to Hitchcock's The Birds), complex debates over the location of the epicenter of the VUE, and repeated references to Tulse Luper.  Luper is a recurring off-stage character in Greenaway's early films, and would eventually appear on film in the epic series The Tulse Luper Suitcases (2003 onwards).

The Falls includes clips of a number of Greenaway's early shorts.  It also anticipates some of his later films: the subject of biography 27, Propine Fallax, is a pseudonym for Cissie Colpitts, the central figure of Drowning by Numbers (1988), while the car accident in biography 28 prefigures that in A Zed and Two Noughts (1985).

The largely formal and deadpan manner of the narration contrasts with the absurdity of the content.

I don’t know what I’m watching but I think I like it!

 

Sources:

All Images Found Via Google Image Search

Tuesday, January 6, 2015

ICFIFC: Laserblast (1978)

…and we’re back from the holiday break and I hope Krampus didn’t find you!  I look forward to another year of saying great things about terrible movies with you guys, which by the way we are entering our sixth year of doing this thing we do and maybe if I can get off my butt there may be new things coming up for the MMTV fans.

Tonight we visit with one of the greats and one of his masterpieces…of crap!  In the annuls of B-Movies a few names have earned a place in the pantheon of godhood, Corman, Castle and tonight’s guest.  Not the first time he has been the topic and I’m sure it won’t be the last, Mr. Charles Band.

Laserblast is a 1978 American science fiction film about an unhappy teenage loner who discovers an alien laser cannon and goes on a murderous rampage, seeking revenge against those who he feels have wronged him.  The low-budget film was directed by Michael Rae and produced by Charles Band, who is widely known for producing B movies.  Starring Kim Milford, Cheryl Smith, and Gianni Russo, the film features notable cameo appearances by Keenan Wynn and Roddy McDowall, and marked the screen debut of actor Eddie Deezen.


Laserblast (1978)

  • Genre: Horror – Sci-Fi
  • Directed: Michael Rae
  • Produced:
    • Charles Band 
    • J. Larry Carroll
  • Written:
    • Franne Schacht 
    • Frank Ray Perilli
  • Starring: Kim Milford, Cheryl Smith, Gianni Russo, Ron Masak, Dennis Burkley, Barry Cutler, Mike Bobenko, Eddie Deezen, Keenan Wynn, Roddy McDowall, Rick Walters
  • Music:
    • Richard Band 
    • Joel Goldsmith
  • Cinematography: Terry Bowen
  • Editing: Jodie Copelan
  • Studio: Selected Pictures
  • Distributed:
    • The Irwin Yablans Company 
    • United American Video 
    • Astral Films 
    • Cult Video 
    • Koch Vision 
    • Media Home Entertainment 
    • The Samuel Goldwyn Company 
    • Video Treasures
  • Rated:
  • Release Date: 1 March 1978 (USA)
  • Running Time: 85 minutes
  • Country: USA
  • Language: English

A green-skinned man wanders through the desert with a laser cannon attached to his arm.  A spaceship lands and two aliens emerge, one of whom shoots the man, which disintegrates his body.  The aliens depart on their spaceship, leaving behind the laser cannon and a metallic pendant the man was wearing.

Teenager Billy Duncan wakes up in his bed, seemingly disturbed, and learns his mother is leaving for vacation.  He goes to visit his girlfriend Kathy, but her deranged grandfather Colonel Farley makes him leave before he can see her.  As Billy drives around town, he is harassed by bullies Chuck Boran and Froggy, and by two police deputies who give him a speeding ticket.  Billy wanders into the desert and discovers the laser cannon and pendant.  He starts playing with the cannon, pretending to shoot things, then realizes he can fire the weapon while wearing the pendant.  Meanwhile, on the alien spacecraft, the two aliens converse with their leader who shows them footage of Billy using the cannon, prompting the aliens to turn their ship around to head back to Earth.  Context implies that the two aliens, upon departing Earth, left the cannon and pendant behind under the presumption that no other human would able to use them as the green-skinned man had, but they have now learned that they were in error.

Later that night, Billy and Kathy attend a party where Chuck and Froggy attempt to rape Kathy.  When Billy discovers them, a fight breaks out.  Later that night, Billy uses the laser cannon to explode Chuck's car, and Chuck and Froggy barely escape the explosion alive.  Government official Tony Craig arrives to investigate both the explosion and the desert where Billy found the cannon.  Tony informs the local sheriff that the town must be sealed off.

Feeling sick due to an unusual growth on his body, Billy visits Dr. Mellon, who surgically removes a metallic disc from Billy's chest.  Mellon calls the police laboratory technician Mike London to arrange for the disc to be investigated.  A green-skinned Billy opens fire on Mellon's car that evening, killing him in an explosion.  The next day, Tony investigates the wreckage and recovers unusual material, which he brings to Mike London, who concludes it is an alien material that cannot be destroyed.

The next day, Kathy puts the pendant on Billy's chest while they are laying together outside.  Billy immediately wakes up with green skin and deformed teeth and attacks Kathy.  Billy goes on a rampage, shooting random objects with the laser cannon.  Law enforcement officials shoot at Billy from an aircraft, but Billy destroys the aircraft with the cannon, and later kills Chuck and Froggy by blowing up their car.

While Tony questions Colonel Farley and Kathy about Billy, the two aliens land on Earth and begin searching for Billy.  After killing a man and stealing his van, Billy travels into a city where he randomly fires at his surroundings. Kathy and Tony arrive in the city and locate Billy, as the aliens spot Billy from atop a building and shoot him, which kills Billy and destroys the laser cannon.  The aliens depart in their spacecraft and Kathy cries over Billy's corpse.

The reptilian alien creatures in the film were works of stop motion animation by animator David W. Allen, marking the first chapter in a decades-long history of collaboration between Allen and Band.  The alien spacecraft model featured in Laserblast was designed and built by Greg Jein in two weeks, and the musical score was written in five days by Joel Goldsmith and Richard Band, the first film score for both composers.

Laserblast has received overwhelmingly negative reviews and consistently ranks among the Bottom 100 list of films on the Internet Movie Database.  Even many critical reviews, however, cited Allen's stop motion animation as one of the film's only redeeming qualities.  A 1988 sequel was planned, but ultimately abandoned due to financial difficulties.  Laserblast was featured in the seventh season finale of the comedy television series Mystery Science Theater 3000, marking the show's final episode on Comedy Central before the series moved to the Sci-Fi Channel.

A pathetic androgynous blond kid from the California desert finds a ray-gun left by fat-assed aliens in the sagebrush, is harassed by strangely southern, dope-smoking cops, develops a large hole in his chest, kills Roddy McDowall, and eventually dies himself. Meanwhile, nothing happens. The aliens are the best thing in the film: they're cute. Eddie Deezen rounds out the cast as the hurtful geek.

-- The Mystery Science Theater 3000 Amazing Colossal Episode Guide


Sources:

All Images Found Via Google Image Search

Tuesday, December 2, 2014

ICFIFC: +1 (2013)

+1 (also known as Plus One) is a 2013 American thriller film directed by Dennis Iliadis (The Last House On The Left).  It premiered on March 10, 2013 at the SXSW and stars Ashley Hinshaw (Chronicle), Rhys Wakefield (The Purge), and Natalie Hall (Pretty Little Liars).  +1 was released in theaters, iTunes and VOD on September 20, 2013.  For the VOD release Iliadis worked on fine-tuning elements of the film, as he felt that the SXSW release was too "rushed".

+1 (2013)

  • A.K.A. Title: Plus One
  • Genre: Sci-Fi – Thriller
  • Directed: Dennis Iliadis
  • Produced:
    • Guy Botham 
    • Becky Glupczynski 
    • Thomas Nittmann 
    • Tim Perell 
    • Edson Williams
  • Written: Bill Gullo  Dennis Iliadis
  • Starring: Rhys Wakefield, Logan Miller, Ashley Hinshaw, Natalie Hall, Rohan Kymal, Adam David Thompson, Ronald Ogden, Bernard D. Jones, Brad Mills, April Billingsley, Peter Luis Zimmerman, Josh Warren
  • Music: Nathan Larson
  • Cinematography: Mihai Malaimare Jr.
  • Editing: Yorgos Mavropsaridis
  • Studio:
    • Process Films 
    • Process Media
  • Distributed:
    • Feelgood Entertainment  
    • IFC Midnight  
    • Eagle Films  
    • Mongkol Major  
    • Signature Entertainment  
    • Square One Entertainment  
    • Universum Film
  • Rated:
  • Release Date: 10 March 2013 (USA)
  • Running Time: 95 minutes
  • Country: USA
  • Language: English

While on the phone with his girlfriend Jill, who has moved away to attend college, David prompts her to explicitly wish that he were there to see her compete in a fencing tournament, only to surprise her with an unplanned visit.  After the competition, David approaches Jill's similarly attired opponent from behind and flirts with her, thinking she is his girlfriend.  Intrigued, she kisses David, and Jill storms off angrily after walking in on them.  Later, David meets with his friend Teddy, a sex-obsessed student who tells him that Jill will attend a house party later.  Hoping that she will speak with him in person, David decides to attend the party, too.

A meteor lands near the site of the party, and electrical arcs cause a momentary blackout.  The wild revelers do not notice brief, anomalous phenomena that occur during the blackout, such as a mirror image out of sync, but a drug dealer's girlfriend outside the party becomes spooked.  As the raucous party proceeds, David searches the house for Jill, and Teddy attempts to charm Melanie.  To Teddy's surprise, Melanie invites him to join her upstairs in ten minutes.  Meanwhile, David spies on Jill as she flirts with a friend, and Allison, an outsider, unsuccessfully attempts to fit in.  David attempts to apologize to Jill, but she becomes more angry with his fumbled apology and says that he makes her feel replaceable.  The party moves outside, and the house empties except for David, Teddy, Allison, and Melanie.

When Teddy joins Melanie upstairs, he finds her naked on a bed.  They proceed to have sex, and she steps into the shower afterward.  During a second blackout, a duplicate of Melanie appears on the bed, surprised to find Teddy in the room.  When the original Melanie exits the shower, the two Melanies come face-to-face, and Teddy flees the room in a panic.  David confirms that the house has filled with duplicates of the party-goers, who repeat the actions their originals took ten minutes ago.  Outside, the drug dealer and his duplicate get into a violent confrontation, and David watches as one of them murders the other.  Worried that the duplicates may be hostile, the originals attempt to hide.  Eventually, the duplicates disappear.

With each blackout, the duplicates momentarily reappear and reenact increasingly more recent actions.  David becomes convinced that he can save his relationship if he crafts a better apology to Jill's duplicate, Allison befriends her duplicate, and Teddy accidentally ruins the rendez-vous between his and Melanie's duplicates.  Teddy warns the others that his duplicate will now become belligerent, and he convinces the party-goers, most of whom are still skeptical, to hide from their duplicates in a pool house.  When the duplicates reappear, David knocks his own duplicate unconscious and charms Jill's duplicate, and Teddy's duplicate attempts to convince the skeptical crowd of duplicates to attack the originals.

Worried about their safety, several of the originals sneak out and murder their duplicates, which turns the enraged duplicates hostile.  The originals retreat back to the pool house, and the duplicates lay siege.  The next blackout causes the duplicates to appear inside the pool house.  The crowded room erupts in violence, and several people die, including Teddy.  David tracks down the original Jill, who had wandered back to the house, and he murders her so that he can be with her duplicate.  Allison seduces her duplicate, and they share a kiss.  The final blackout causes the duplicates and originals to merge.  The confused party-goers stagger outside of the pool house, and they begin to disperse.  Teddy asks Melanie to call him, and David and Jill leave together.

After David and Jill have a make-out session, two meteors, like the original, are shown falling through the sky and it is implied the whole process will happen all over again with three sets of duplicates.

Rotten Tomatoes reports that 67% of 12 surveyed critics gave the film a positive review; the average rating was 6.10/10.  Metacritic rated it 60/100 based on six reviews.  Jeannette Catsoulis of The New York Times made it a NYT Critics' Pick and called it "a fleet and frenzied sci-fi tale with more on its mind than alien gate-crashers."   Chuck Bowen of Slant Magazine gave the film three out of four stars, commenting that Iliadis did a good job of showing the "existential despair" of narcissism and detachment.  Scott Weinberg of Fearnet gave a more mixed review, saying that the film was a "decent, uneven, well-made spin on a very standard horror story".  In a mixed review, Geoff Berkshire of Variety called it a "trippy oddity" with "a tantalizing visual puzzle that demands full attention, even as the flavorless characters and largely so-so performances risk audience indifference."  Berkshire states the film's "overriding misogyny" may be intentional satire.

Honestly, I was all in to get the full story until the last five minutes when I felt the story started to take shortcuts.  Very enjoyable but like I said, the ending felt odd to me.

Everyone Wants One…Indeed!

Sources:

All Images Found Via Google Image Search

Tuesday, November 18, 2014

ICFIFC: The Children (1980)

Certain tropes in horror resonate better than others and one that works almost every time is the creepy kids as a plot device.  Tonight is one of the freakier uses of that premise.  The Children (a.k.a. The Children of Ravensback) is a 1980 low budget horror film, written and produced by Carlton J. Albright.  The movie is about five children in a small town who, thanks to a yellow toxic cloud, who got transformed into bloodless zombies with black fingernails who microwave every living thing they put their hands on.  The surviving adults of the town must attempt to put a stop to them.  The film is currently being distributed by Troma Entertainment.


The Children (1980)

  • Genre: Horror – Sci-Fi
  • Directed: Max Kalmanowicz
  • Produced:
    • Carlton J. Albright 
    • Max Kalmanowicz 
    • Edward Terry
  • Written:
    • Carlton J. Albright 
    • Edward Terry
  • Starring: Martin Shakar, Gil Rogers, Gale Garnett, Shannon Bolin, Tracy Griswold, Joy Glaccum, Jeptha Evans, Clara Evans, Sarah Albright, Nathanael Albright, Julie Carrier, Michelle La Mothe, Edward Terry, Peter Maloney, Jessie Abrams, Rita Montone, John P. Codiglia, Martin Brennan
  • Music: Harry Manfredini
  • Cinematography: Barry Abrams
  • Editing: Nikki Wessling
  • Studio: Albright Films Inc.
  • Distributed:
    • World Northal  
    • Pan-Canadian Film Distributors  
    • Vestron Video  
    • Troma Team Video  
    • Videoasia  
    • Alpha Video Limited  
    • Intervision Video  
    • Rhino Home Video  
    • Showtime
  • Rated:
  • Release Date: 13 June 1980 (USA)
  • Running Time: 93 minutes
  • Country: USA
  • Language: English

The movie is set in the fictional New England town of Ravensback.  After a couple of local chemical plant workers named Jim and Slim decide to call it a day and head for the bar.  Unfortunately a large build up of pressure causes a yellow toxic cloud that drifts across the ground from a leak in one of the pipes to form.  Meanwhile, a school bus is taking children home.  After dropping one child off, Kathy, there are only five children left on the bus: Paul MacKenize, Jenny Freemont, Ellen Chandler, Tommy Button, and Janet Shore.  Kathy's mom arrives to pick her up and drives pass the school bus.  She waves to the children, as they are singing road songs.  Suddenly the bus passes through the toxic cloud.  Kathy arrives home, but the school bus is detained somewhere.

After Billy Hart, the local sheriff, finds the idling bus abandoned near a cemetery, and the children's possessions still there, he radios to his deputy Harry Timmons, and Molly, an older woman who works at the local general store and acts as the part-time police dispatcher.  Reluctantly, Timmons sets up a roadblock at the intersection of the main highway and the lone road leading into town, recruiting a couple of armed locals, believing that the children were possibly victims of kidnapping.

Meanwhile, Dr. Joyce Gould, Tommy's mother's female lover, who's hostile towards the sheriff for no reason goes with him to investigates.  She hops on the school bus where she finds Tommy's things onboard.  She ends up at the cemetery, goes looking for him, but she ran up to a nearby gravestone and falls over on the bus driver's badly burnt corpse.  Soon after, when Tommy approaches Joyce she gives him a hug.  When they embrace, Joyce suddenly screams while yellow steam comes from Tommy's hands, and burns Joyce alive before Tommy finally releases her corroded body and trudges on.

Later, Ellen sneaks through the woods near a road where John Freemont, father of Jenny, is working on his car.  Sheriff Hart gives him a lift home, while Ellen, after watches them unnoticed and decides to move along, and finally goes home where she encounters her mother, Rita to the door to Ellen's outstretched arms to hug her—before being incinerate and roasted to death.  Her father, Bob, then comes to the door and is shocked at the spectacle.  Ellen goes to hug him, but he backs away from her into the house while she follows.

Paul MacKenize comes home and startles his sister.  He then starts walking towards her with his arms outstretched while she backs away from him, she slaps him in the face, trying to rouse him from his apparent trance.  They wind up in a workroom part of the house where, off-camera, he kills her as she screams.  Paul's father, Cyrus, is then killed after discovering Paul with her body.

While John and Billy are on the road, they encounter Janet Shore standing in the middle of road, who is dazed like the other zombified children, pale-faced and apparently stunned.  They put her in the car to drive her home.  It turns out that Janet has not yet fully transformed into a radioactive zombie, but she gradually changes into one during the ride (as evidenced by her fingernails shown turning black).  After they stop, she attacks Sheriff Hart, who is able to dodge her while she flees the vicinity.

Eventually, the zombified Ellen, Tommy, and Paul meet and walk together to congregate.  They are spotted by Deputy Timmons, who radios the station, but is soon killed.  The three children converge in front of the general store where an overjoyed (and misguided) Molly comes outside to hug them—and is (in typical form) roasted to death.

Meanwhile, John and Billy are checking other homes in the area, finding the occupants dead in much the same way.  They go to John's home to meet his pregnant wife, Cathy and his younger son, Clarkie.  They are relieved that Cathy and Clarkie are unharmed.  John begins to give orders, but does not divulge any information to Cathy or Clarkie.

The five wandering little zombies approach the house once they spot the people inside.  Jenny attempts to hug Cathy, but John runs out of the house and pulls her away in time.  Meanwhile, Paul climbs to the upper level of the house and is let through the window by Clarkie (who does not realize what Paul is).  They play a quiet game of tag, after Clarkie hides in his closet, Paul kills him in typical form.

Billy shoots the zombies with his pistol, but the bullets have no effect on them.  Cathy, who is still not aware of the children's zombified state, knocks Billy out with a glass object, in order to stop him from shooting them.  She then finds Clarkie's roasted body, and tells John, who runs upstairs and tearfully puts the child's body back to bed.

Paul then attacks the little monsters, while Billy instinctively picks up a replica Katana and chops off both Paul's hands as he howls in pain, which kills Paul while the fingernails on his severed hands reverts back to normal.  Ellen then breaks through one of the windows with one hand, which is immediately severed by Billy, causing her to apparently die.  Billy and John then go outside, with the sword in hand, to find the rest of the zombies.  The remaining three zombies—Tommy, Janet, and Jenny—converge at the upper level of the barn on the property, where they are found by John and Billy who, despite Jenny's pleas to John, are promptly dismembered and killed.

While an exhausted John collapses to the ground near the barn, Billy wearily goes to his car to radio for help—while Ellen suddenly rises from the back seat who grabs Billy by the neck and roasts him to death.  John hears Billy's screaming and approaches with his sword to finish Ellen, after which he flings his sword in disgust, and collapses into a deep sleep next to Billy's corpse.

The next morning, Cathy yells to a still-sleeping John that "it's time", he wakes up and runs frantically into the house to help her deliver their third child.  As they are delivering the baby, the camera pans over all of the dead bodies (except Clarkie's) showing Sheriff Hart's corpse, all five of the unfortunate children laying peacefully and hacked up.  After the baby is delivered, John is aghast and wide-eyed as he notices that his newborn child has black fingernails.

And you just thought little kids had sticky hands.

Sources:

All Images Found Via Google Image Search

Monday, November 10, 2014

ICFIFC: Kingdom of the Spiders (1977)

The spider originally bearing the name "tarantula" was Lycosa tarantula, a species of wolf spider native to Mediterranean Europe.  The name derived from that of the southern Italian town of Taranto.  The term "tarantula" subsequently was applied to almost any large, unfamiliar species of ground-dwelling spider, in particular to the Mygalomorphae1 and especially to the new-world Theraphosidae2.  Compared to tarantulas, wolf spiders are not particularly large or hairy, so among English speakers in particular, the usage eventually shifted in favor of the Theraphosidae, even though they are barely related to the wolf spiders, being in a different infraorder.

When theraphosids were encountered in the Americas, they were named "tarantulas", causing usage of the term to shift to the tropical spiders.  Nevertheless, these spiders belong to the suborder Mygalomorphae, and are not closely related to wolf spiders.

The name "tarantula" is also mistakenly applied to other large-bodied spiders, including the purseweb spiders or atypical tarantulas, the funnel-webs (Dipluridae and Hexathelidae), and the "dwarf tarantulas".  These spiders are related to tarantulas (all being mygalomorphs), but are classified in different families.  Huntsman spiders of the family Sparassidae have also been termed "tarantulas" because of their large size.  In fact, they are not related, belonging to the suborder Araneomorphae3.

Kingdom of the Spiders was one of several horror and science fiction films of the 1970s that reflected a growing sentiment of environmentalism in North America, such as Day of the Animals, Night of the Lepus, Killer Bees, Frogs and Silent Running.  It also reflected a horror trend that suggested that mankind's worst enemy was not supernatural monsters, but creatures already present in nature, as seen in Jaws and the numerous copycat films that arrived in its wake, as well as the Alfred Hitchcock classic The Birds.

A particular parallel to Jaws is that, in both films, local civic officials are more concerned with making money from tourism than with properly dealing with a very serious environmental problem.  In both films, these decisions lead to unsuccessful attempts to eradicate the "monsters", ultimately with horrific consequences.


Kingdom of the Spiders (1977)

  • Genre: Sci-Fi – Horror
  • Directed: John 'Bud' Cardos
  • Produced:
    • Henry Fownes 
    • J. Bond Johnson 
    • Igo Kantor 
    • Jeffrey M. Sneller
  • Written:
    • Jeffrey M. Sneller (Story) 
    • Stephen Lodge (Story) 
    • Richard Robinson (Screenplay) 
    • Alan Caillou (Screenplay)
  • Starring: William Shatner, Tiffany Bolling, Woody Strode, Lieux Dressler, David McLean, Natasha Ryan, Altovise Davis, Joe Ross, Marcy Lafferty, Adele Malis-Morey, Roy Engel, Hoke Howell, Bill Coontz, Whitey Hughes, Jay Lawrence, Bettie Bolling
  • Music: Dorsey Burnette
  • Cinematography: John Arthur Morrill
  • Editing:
    • Igo Kantor 
    • Steven Zaillian
  • Studio: Arachnid Productions Ltd.
  • Distributed:
    • Dimension Pictures  
    • Saguenay Films  
    • American Broadcasting Company  
    • Goodtimes Entertainment  
    • Paradiso Home Entertainment  
    • Shout! Factory  
    • DIV  
    • South Pacific Video
  • Rated:
  • Release Date: November 1977 (USA)
  • Running Time: 97 minutes
  • Country: USA
  • Language: English

The film is one of the better-remembered entries in the "nature on the rampage" subgenre of science fiction/horror films in the 1970s, due in part to its memorable scenes of people and animals being attacked by tarantulas; its availability on home video and airing on cable television, particularly on the USA Network; but primarily because of Shatner's starring role.  The film was released by Dimension Pictures (not to be confused with the distributor Dimension Films).

Robert "Rack" Hansen, a veterinarian in rural Verde Valley, Arizona, United States, receives an urgent call from a local farmer, Walter Colby.  Colby is upset because his prize calf has become sick for no apparent reason, and brings the animal to Hansen's laboratory.  Hansen examines the calf, which dies shortly afterward.  Hansen tells Colby he cannot explain what made the animal so ill so quickly, but takes samples of the calf's blood to a university lab in Flagstaff.

A few days later, Diane Ashley, an arachnologist, arrives looking for Hansen.  Ashley tells Hansen that the calf was killed by a massive dose of spider venom, which Hansen greets with skepticism.  Undaunted, Ashley tells him the problem is serious and that she wishes to examine the animal's carcass and the area where it became sick.  Hansen escorts Ashley to Colby's farm.  Moments after they arrive, Colby's wife, Birch, discovers their dog is dead.  Ashley performs a quick chemical test on the dog's carcass and concludes that like the calf, it died from a massive injection of spider venom.  Hansen is incredulous, until Colby states that he recently found a massive "spider hill" on a back section of his farmland.  He takes Hansen and Ashley to the hill, which is covered with tarantulas.  Ashley theorizes that the tarantulas are converging together due to the heavy use of pesticides, which are eradicating their natural food supply.  In order to survive, the spiders are joining forces to attack and eat larger animals.

Hansen and Ashley return to the Colby farm.  As the scientists and the Colbys are walking past a barn, a bull stampedes out; it is being attacked by tarantulas.  Ashley notes that the spiders likely will not be afraid to attack people either.  Colby douses the spider hill with gasoline and lights it on fire, seemingly destroying the spider menace.  However, many of the spiders escape out of a tunnel.  Colby is attacked in his truck the next day, sending it over the side of a hill and killing him.  Hansen happens upon the accident scene and helps the sheriff, Gene Smith, examine the wreckage.  Colby's body is found encased in a cocoon of spider webs.  Meanwhile, Ashley is notified by her colleagues that a sample of venom from one of the spiders is five times more toxic than normal.  Hansen is then told by the sheriff that several more spider hills have been located on Colby's property.

Hansen, Ashley and the sheriff examine the hills along with the mayor of Camp Verde, who orders the sheriff to spray the hills and the surrounding countryside with a pesticide.  Ashley protests, arguing that pesticide use is what caused the problem to begin with and that the town would be better off using birds and rats (tarantulas' enemies in nature) to eradicate them.  The mayor dismisses the idea, fearing that having a large number of spiders and rats all over the countryside will scare away patrons of the annual county fair.  A crop duster is enlisted to spray the pesticide.  Once the pilot is airborne, he is attacked by tarantulas, and crashes the plane before he can disperse the spray.

The spiders begin their assault on the local residents, killing Birch and Hansen's sister-in-law, Terri.  Hansen arrives at their home and rescues Terri's daughter, Linda from the spiders.  Hansen and Ashley take Linda to the Washburn Lodge.  They consult with the sheriff, who tells them that the spiders are everywhere and Camp Verde cut off from the outside world.  Smith drives into town, while Hansen and the other survivors at the lodge plan to load up an RV and escape.  However, the spiders trap them in the lodge, and they barricade themselves inside.  Meanwhile, Smith arrives in Camp Verde and finds the town under siege by the spiders.  Smith tries to escape, but is killed when another car crashes into a support post under the town's water tower, causing it to fall on his vehicle.

Back at the lodge, the power goes out, and Hansen is forced to venture into the lodge's basement to change a blown fuse.  He succeeds, but is besieged by spiders who break through one of the basement windows, by using their combined weight.  He makes it upstairs just in time to be saved by Ashley.

The film concludes the next day, with the survivors rigging up a radio receiver and listening for news of the attacks.  To their surprise, the radio broadcast doesn't mention the attacks, indicating that the outside world is oblivious to what has happened.  Hansen pries off the boards from one of the lodge's windows, and discovers that the entire building is encased in a giant web cocoon.  The camera pulls back, and all of Camp Verde is encased in cocoons as well.


Notes:

1.  The Mygalomorphae (also called the Orthognatha) are an infraorder of spiders.  The scientific name comes from the orientation of the fangs which point straight down and do not cross each other (as opposed to araneomorph).

2.  The spider family Theraphosidae (tarantulas) includes 947 described species, including around 55 species in North America north of Mexico.

3.  The Araneomorphae (also called the Labidognatha) are a suborder of spiders.  They are distinguished by having fangs that oppose each other and cross in a pinching action, in contrast to the Mygalomorphae (tarantulas and their close kin), which have fangs that are nearly parallel in alignment.

 

Sources:

All Images Found Via Google Image Search