As September draws to a close we are presented with the final recommendation from Rob Morganbesser. Make sure you visit him on Twitter and thank him for the movie ideas.
Planet of the Vampires (1965)
Planet of the Vampires is a 1965 Italian/Spanish science fiction horror film directed by Mario Bava. The film stars Barry Sullivan and Norma Bengell. The screenplay was based on an Italian-language science fiction short story, Renato Pestriniero's "One Night of 21 Hours". The story follows the horrific experiences of the crew members of two giant spaceships that have crash landed on a forbidding, unexplored planet. The disembodied inhabitants of the world possess the bodies of the crew who died during the crash, and use the animated corpses to stalk and kill the remaining survivors.
The film was co-produced by American International Pictures and Italian International Film, with some financing provided by Spain's Castilla Cooperativa Cinematográfica. Ib Melchior and Louis M. Heyward are credited with the script for the AIP English-language release version. Years after its release, some critics suggested that the film's narrative details and visual design appeared to have been a major influence on Ridley Scott's Alien (1979).
Two huge interplanetary ships on an expedition into deep uncharted space receive a distress signal emanating from Aura, an unexplored planet. Both ships, the Galliott and the Argos, attempt to land on the surface of the fog-encased world. While entering the planet's atmosphere, the crew of the Argos becomes possessed by an unknown force and try to violently kill each other. Only Captain Markary (Sullivan) has the will to resist, and is able to force all of the others aboard his ship out of their hypnotic, murderous state.
After the Argos lands on the surface, the crew disembarks and explores the eerie landscape in search of the Galliott. Thick, pulsating mists, lit by ever-shifting eerie colors, saturate the terrain. When they finally arrive at the other ship, they find that the crew members have killed each other. Markary's younger brother, Toby, is among the dead. They proceed to bury as many of the corpses as they can, but several bodies are locked inside the ship's bridge. Markary departs to get tools for opening the sealed room, but the corpses disappear by the time he returns.
Some of the Argos' crew are found dead. Tiona (Evi Marandi) sees their corpses walking in the ship, and becomes paralyzed with fear. Markary advises the survivors that they must escape from Aura. Unfortunately, the Argos incurred serious damage during the landing, and repairs will take time. During the waiting period that ensues, several more killings occur. In a private tape recording, Markary admits that he suspects none of them will survive.
While exploring Aura, Wes (Ángel Aranda) discovers the ruins of a spaceship a few miles from the Argos. Markary, Sanya (Norma Bengell) and Carter (Ivan Rassimov) investigate. Inside the ship, they discover large skeletal remains of the long dead crew and thus realize that they are not the first ones to have been drawn to the planet by the distress beacon. Markary and Sanya are temporarily trapped inside the ship, but manage to escape and return to the Argos. Carter inexplicably vanishes.
Two crew members of the Galliott, Kier (Federico Boido) and Sallis (Massimo Righi), arrive at the Argos to steal the ship's Meteor Rejector device. Kier escapes with the machine, but Markary fights Sallis. Markary tears open Sallis' uniform, exposing his putrescent body. He learns that Sallis' corpse is being manipulated by an Auran, who reveals that the two ships were lured to the planet in order for the Aurans to escape from their dying world. With the crew of the Galliott under their complete control, they plan to use the ship to escape to the humans' home planet. Markary vows to stop them.
Markary and his crew rush to the Galliott to retrieve the Meteor Rejector. They are successful, and manage to place explosives in the ship. During a struggle with the Aurans, Dr. Karan (Fernando Villeña) and Tiona are killed. Markary and Sanya return to the Argos and manage to escape as the Galliott is destroyed. After takeoff, however, they reveal themselves to be possessed by Aurans. They ask Wes, the last survivor, to join them. Wes refuses and tries to sabotage the Meteor Rejector, but fatally electrocutes himself while doing so. Because the device has been broken beyond repair, Markary and Sanya decide to change course for a nearby planet...Earth.
Several critics have suggested that Bava's film was a major influence on Ridley Scott's Alien (1979) and Prometheus (2012), in terms of both narrative details and visual design. Derek Hill, in a review of the MGM Midnite Movies DVD release of Vampires written for Images Journal, noted, "Bava's film (along with It! The Terror from Beyond Space, 1958) was a direct influence on Ridley Scott's 1979 big budget B-movie Alien. But where Scott's film tried to mask its humble drive-in origins, Planet of the Vampires revels in its origins. The film literally feels like a pulp magazine cover come to garish life..." Robert Monell, on the DVD Maniacs website, observed, "[M]uch of the conceptual design and some specific imagery in the 1979 Ridley Scott screamer undoubtedly owes a great debt to Mario Bava's no budget accomplishments." Govindini Murty of The Atlantic, in a review of Prometheus, said, "The striking images Ridley Scott devises for Prometheus reference everything from Stanley Kubrick's 2001 to Leonardo da Vinci's Vitruvian Man and Mario Bava's Planet of the Vampires." In one scene of Prometheus, the crew dons dark suits with red piping that resemble the suits worn by the crew of the Argos in Planet of the Vampires.
One of Vampires' most celebrated sequences involves the astronauts performing an exploration of an alien, derelict ship discovered in a huge ruin on the surface of the planet. The crewmembers climb up into the depths of the eerie ship and discover the gigantic remains of long dead monstrous creatures. In 1979, Cinefantastique noted the remarkable similarities between this atmospheric sequence and a lengthy scene in the then-new Alien. The magazine also pointed out other minor parallels between the two films. However, both Alien's director Ridley Scott and screenwriter Dan O'Bannon claimed at the time that they had never seen Planet of the Vampires.
Tim Lucas has noted that the basic plot and ideas of the film not only inspired Alien but "continue to influence filmmakers and inspire the genre today, as witnessed by David Twohy's Pitch Black (2000) and Brian De Palma's Mission to Mars (2001)."
In the late 1970s Atlas/Seaboard Comics published a short-lived comic book entitled Planet of Vampires, which combined plot elements from Bava's film with elements of Planet of the Apes and I Am Legend.
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